Using Watercolor Paint and/or Watercolor Pencil as our base, I’d like us to “stick our toe” into adding an additional media or using a different support.
I will demonstrate our subject using a typical watercolor or watercolor pencil painting on white paper, but I will also add at least one other new technique for depicting our subject by adding an additional media or using tinted or colored paper as a support.
Over the autumn and winter I’ll introduce using graphite pencils with our traditional media, or using an ink pen, liquid artist inks, or adding glistening metallics or other luminescent media.
I will introduce using tinted or colored paper with either dry or wet media.
As always, I’ll demonstrate each subject using just watercolor paint or watercolor pencil. There will be no need to purchase any new supplies unless you want to add something.
Our subjects will include everything from fruit, flowers, seasonal items, to birds, and other creatures.
Not intimidating, (hopefully!) not confusing, just fun! Please join us to either try something new, or just enjoy some time with your preferred media over this autumn and winter.
In September the paper I will use is Strathmore Toned Gray Mixed Media paper. Stonehenge tinted papers are another favorite, especially if you are using more dry media or watercolor pencils. If you are using watercolor paints, the Strathmore or other “Mixed Media” tinted papers or boards might accept the larger amounts of water better.
The white paper I use is either Bristol Vellum surface paper for dry media or watercolor pencil or Watercolor Paper if adding watercolor paints, because they use lots more water.
I’ll use watercolor paint and also watercolor pencil in my demonstrations, and list individual paints or pencils used on this website.
Additionally, this Autumn I’ll use the following optional media:
*a Graphite Pencil in 2H or4H *Graphitint Watercolor Pencils by Derwent *FW Acrylic Artist Ink by Daler Rowney *Ink Pens—Micron Ink Pen in 01, 05, or 08 widths, depending on your preference or an Onyx .5mm micron black pen.
*I will also introduce using Metallic or Luminescent Media this Autumn as an option, and will discuss them again in the Winter. These are just fun add-ins I’ll explain if you want to give one a try. They include: Derwent Metallic pencils, which are water-soluble, FW Pearlescent Liquid Acrylic Inks, Winsor & Newton Iridescent Media,
and some metallic watercolor paint by Daniel Smith such as Fuchsite Genuine and Duochrome Oceanic.
As we transition our seasons, I’d like to focus on a favorite summer and autumn fruit, demonstrating each using watercolor paints, watercolor pencils, or a combination. I’ll also have a few options for complexity if you’re interested. I’ll begin by demonstrating an heirloom tomato, both using white and tinted paper. Next, I’ll demonstrate a beautiful gourd using similar colors but adding some fun texture and quirky color transitions. This one probably isn’t tasty to eat, but I sure love painting them! I’ll demonstrate this gourd using white and tinted paper and I’ll add graphite pencil with each media for those who are interested.

MEDIA OPTIONS: Remember these are options. You choose the media or paper you want.
MEDIA NOTE: I’m using the same basic colors for both the heirloom tomato and the gourd, just in different ways.
WATERCOLOR PAINT Aureolin, New Gamboge, Scarlet Pyrrol (or substitute Scarlet Lake+New Gamboge or Cadmium Orange), Sap, with the possible addition of Phthalo Green and/or Cobalt Blue.
WATERCOLOR PENCIL* Cream, Light Yellow Glaze, Light Green, Earth Green Yellow, Permanent Green Olive, Olive Green Yellow, Cadmium Yellow, Cadmium Orange, Dark Cadmium Orange, Pale Geranium Lake and/or Fuchsia, Derwent watercolor pencil Madder Carmine, Light Cobalt Turquoise.
MEDIA FOR WHITE OPTIONS (on Gray Toned paper): white FW Acrylic Artist Ink, Titanium white watercolor or Gouache, Prismacolor Permanent White Colored Pencil, White Watercolor Pencil
GRAPHITE PENCIL: 2H or 4H
*all watercolor pencils I used are Albrecht Durer by Faber-Castell unless noted.
Many of us love mums in a variety of forms and colors. I selected these mums to paint because of their subtle melding of a few different colors. I’m excited to use my demonstration to show how adding graphite pencils to watercolor paint and watercolor pencil washes can combine to achieve delicate color and form, while maintaining the kind of control many of us appreciate.
WATERCOLOR PAINT Quinacridone Gold, Quinacridone Red, Sap, and Aureolin.
WATERCOLOR PENCIL* Light Yellow Glaze, Cadmium Orange, Dark Cadmium Orange, Light Purple Pink, Light Green, Permanent Green Olive, and Pine or Prismacolor Dark Green.
GRAPHITE PENCIL: 2H or 4H
*all watercolor pencils I used are Albrecht Durer by Faber-Castell unless noted.




Watercolor (on left) and watercolor pencil with graphite (on right) in stages
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